Nigel Rogers
Advertisement
Advertisement
Top Related Artists
Biography
Born in Wellington, Shropshire, England on March 21, 1935, Nigel Rogers was a virtuoso tenor, conductor, and British pedagogue. He was responsible for founding the Studio der Frühen Musik and the Ensemble Chiaroscuro and promoted the rediscovery of early music. His father was a singer, and his mother was a pianist, who taught him the basics of the instrument. Nigel Rogers studied at King's College Cambridge and sang in the choir (1953-1956), then in Rome, Milan and at the Hochschule für Musik in Munich (1959-1961), where he co-founded - with Thomas Binkley, Sterling Jones, and Andrea von Ramm - the Studio der Frühen Musik, the pioneering ensemble known for their interpretation of early music from the Middle Ages and the Renaissance. Nigel Rogers made operatic debut in Amsterdam. His most popular role was as the lead role in Monteverdiâs LâOrfeo in the opera of the same name by Monteverdi. He also performed arias by Dowland, Purcell, d'India, Caccini, Frescobaldi, and Lawes as well as Bach cantatas with Barbara Schlick. A professor at the Royal Academy of Music in London since 1978, he founded the Chiaroscuro Ensemble the following year to perform Italian Baroque music. Throughout his career, Nigel Rogers has collaborated with many renowned performers, musicians, and groups. On May 3, 2005, his 70th birthday was celebrated with a recital at Wigmore Hall in London. Nigel Rogers died on January 19, 2022, at the age of 86. He leaves behind a large catalog of releases including Bach: Cantatas No. 10 & No. 47 (1965), The King's Musick aus der Zeit Henry VIII (1974), Purcell: Songs (1977), Bach: Cantatas Nos. 170 & 177 (1981), Dowland: Songs for Tenor and Lute (1988), Schütz: Symphoniae Sacrae Op. 10 (1994), and Canti Gregoriani - Il Vespro della Beata Vergine (2012).
Read All
Read Less
Albums
Top Tracks
- Track Popularity
- L'Orfeo, favola in musica, Act 3: Dove, ah, dove ten vai (Orfeo) featuring Charles Medlam
- L'Orfeo, favola in musica, Act 3: Scorto da te, moi nume (Orfeo) featuring Charles Medlam
- Selva morale e spirituale, Venetia 1640: Psalmus 112: Laudate pueri (secondo) a 5 featuring Emma Kirkby
- Matthäus-Passion, BWV 244, Pt. 1: No. 6, Aria. "Buà und Reu" featuring James Bowman
- Matthäus-Passion, BWV 244, Pt. 1: No. 5, Rezitativ. "Du lieber Heiland du" featuring James Bowman
- Il Combattimento di Tancredi e Clorinda featuring Reinhard Goebel
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 3, Choral. "Herzliebster Jesu, was hast du verbrochen" featuring Choir of King's College, Cambridge
- L'Orfeo, favola in musica, Act 4: Pietade, oggi e amore (Coro/Spirito) featuring Charles Medlam
- Thirsis, willst du mir gefallen (Aria Phyllis) featuring Nigel Rogers
- Der Vogel rufet ohne Ruh (Aria Thirsis) featuring Nigel Rogers
- Ach, Phyllis, lass mich scherzen (Rezitativo) featuring Nigel Rogers
- L'Orfeo, favola in musica, Act 5: Ma tu anima mia (Orfeo) featuring Charles Medlam
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 10, Choral. "Ich bin's, ich sollte büÃen" featuring Choir of King's College, Cambridge
- Matthäus-Passion, BWV 244, Pt. 2: No. 59, Rezitativ. "Ach Golgotha" featuring James Bowman
- Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 27b, Chor. "Sind Blitze, sind Donner in Wolken verschwunden" featuring Choir of King's College, Cambridge
- Matthäus-Passion, BWV 244, Pt. 2: No. 49, Aria. "Aus Liebe will mein Heiland sterben" featuring Gustav Leonhardt
- Matthäus-Passion, BWV 244, Pt. 2: No. 48, Rezitativ. "Er hat uns allen wohlgetan" featuring James Bowman
- Matthäus-Passion, BWV 244, Pt. 2: No. 42, Aria. "Gebt mir meinen Jesum wieder" featuring James Bowman
- Matthäus-Passion, BWV 244, Pt. 2: No. 39, Aria. "Erbarme dich" featuring James Bowman
- L'Orfeo, favola in musica, Act 2: Tu sei morta (Orfeo) featuring Charles Medlam
- Una stravaganza dei Medici (The 1589 Florentine Intermedi), V. Arion and the Dolphin: 5. Dunque fra torbide onde (Jacopo Peri) featuring Roger Covey-Crump
- The First Booke of Songes or Ayres: No. 4, If My Complaints Could Passions Move
- The First Booke of Songes or Ayres: No. 15, Wilt Thou Unkind Thus Reave Me?
- The First Booke of Songes or Ayres: No. 20, Come Heavy Sleep
