Fritz Reiner
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Biography
As the fierce, intimidating conductor of the Chicago Symphony in the 1950s, Fritz Reiner established himself as a great maestro of his era, renowned for his relentless pursuit of perfection and modernist approach to classical music.
Born in Hungary, he started playing the piano at the age of six and by ten was studying at the Franz Liszt Academy in his home town of Budapest under the guidance of a young Bela Bartok. He grew from playing accompaniment at ballets to conducting at the Opera House in Slovenia, but really made his reputation back in Budapest at the Nepopera, where he led performances of 25 different operas from 1911-1914.
He spent eight years at the prestigious Dresden Royal Opera, where he struck up a friendship with Richard Strauss, but when post WWI political upheaval and personality clashes forced him out, he ended up moving to America to conduct the Cincinnati Symphony Orchestra in 1922. His reputation as innovator and champion of contemporary composers flourished, but after his ruthless attitude and fiery temper again bubbled over, he left Cincinnati in 1931 and later spent a decade with the Pittsburgh Symphony Orchestra with whom he made his first recordings for Columbia Records. He also led the Metropolitan Opera and helped bring Strauss, Aaron Copland and George Gershwin to new audiences, but it was as the musical director of the Chicago Symphony that he was most heralded.
Turning the orchestra into one of the finest in the world, he pioneered stereophonic recording on the album 'Strauss Waltzes' for RCA Victor and other key works included Bartok's deathbed composition 'Concerto for Orchestra' in 1956 and Antonin Dvorak's emotional, patriotic masterpiece 'New World Symphony' in 1958.
A controversial character and known for his stern, punchy, minimal use of the baton, Reiner suffered a major heart attack in 1960 but completed one final season with the Chicago Symphony before his death in 1963, aged 73.
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Albums
Top Tracks
- Track Popularity
- Rhapsody on a Theme of Paganini for Piano and Orchestra, Op. 43: Introduction / Var. I / Theme / Vars. II - XXIV featuring Fritz Reiner
- Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto featuring Fritz Reiner
- Concietro No. 1 en Fa Sostenido menor, Op. 1: II. Andante by Fritz Reiner
- Concietro No. 1 en Fa Sostenido menor, Op. 1: I. Vivace by Fritz Reiner
- Burleske by Byron Janis
- II. Canzonetta - Andante by Fritz Reiner
- III. Allegro vivacissimo by Fritz Reiner
- Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": I. Adagio - Allegro molto by Fritz Reiner
- Symphony No. 9 in E Minor, Op. 95, B. 178, "From the New World": II. Largo by Fritz Reiner
- I. Allegro moderato by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XIII. Moderato by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XIV. Tempo Di Minuetto by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: X. Tempo I by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XII. Poco Marcato by Fritz Reiner
- Das Lied von der Erde: Das Trinklied vom Jammer der Erde (The Drinking Song of Earth's Sorrow) featuring Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XIX. Allegretto by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XX. Andante Cantabile by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XV. Allegro by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XVII. Più Vivo Scherzando by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XIV. Un Poco Più Vivo - Alla Breve by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: . A Tempo Un Poco Meno Mosso by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XI. A Tempo Vivace by Fritz Reiner
- Rhapsody on a Theme of Paganini, Op. 43: XII. Un Poco Più Vivo by Fritz Reiner
- Violin Concerto in D Major, Op. 35: III. Finale. Allegro vivacissimo featuring Jascha Heifetz
