Thomas Moore's Irish Melodies (In Their Original Settings)
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Other albums by Invocation, Timothy Roberts
Invocation, Timothy Roberts
9/1/1995
Review
- # Track Artist Length
- 1 Traditional: Dear Harp of My Country "The Farewell to My Harp" (Arr. Stevenson for Bass Voice & Harp) Invocation, Timothy Roberts 2:44
- 2 Traditional: Erin! the Smile and the Tear in Thine Eyes (Arr. Stevenson for 4 Voices & Piano) Invocation, Timothy Roberts 2:9
- 3 Traditional: How Sweet the Answer Echo Makes (Arr. Stevenson for 2 Sopranos & Guitar) Invocation, Timothy Roberts 2:13
- 4 Traditional: Silent, Oh Moyle! Be the Roar of Thy Water "The Song of Fiionnulala" (Arr. Stevenson for Tenor & Piano) Invocation, Timothy Roberts 2:23
- 5 Traditional: Rich and Rare Were the Gems She Wore (Arr. Stevenson for 4 Voices, Harp & Piano) Invocation, Timothy Roberts 4:10
- 6 Traditional: The Twisting of the Rope (Arr. Bunting for Harp) Invocation, Timothy Roberts 0:49
- 7 Traditional: Joice's Tune (Arr. Bunting for Fiddle & Square Piano) Invocation, Timothy Roberts 1:12
- 8 Traditional: The Summer Is Coming (Arr. Bunting for Fiddle, Harp & Piano) Invocation, Timothy Roberts 0:41
- 9 O'Carolan: Carolan's Concerto (Arr. Bunting for Fiddle, Harp & Square Piano) Invocation, Timothy Roberts 1:53
- 10 Traditional: The Harp That Once, Thro' Tara's Halls (Arr. Stevenson for 4 Voices, Harp & Piano) Invocation, Timothy Roberts 2:52
- 11 O'Carolan: Nanny McDermotroe (Arr. Bunting for Fiddle) Invocation, Timothy Roberts 1:22
- 12 Traditional: The Valley Lay Smiling Before Me "The Song of O'Ruark, Prince of Breffni" (Arr. Stevenson for Bass Voice & Piano) Invocation, Timothy Roberts 2:48
- 13 O'Carolan: Abigail Judge (Arr. Bunting for Fiddle) Invocation, Timothy Roberts 2:37
- 14 Traditional: Avenging and Bright (Arr. Stevenson for Harp & Piano) Invocation, Timothy Roberts 2:8
- 15 Traditional: The Minstrel-Boy (Arr. Stevenson for 4 Voices, Harp & Piano) Invocation, Timothy Roberts 1:44
- 16 O'Carolan: Lament for Owen O'Neill (Arr. Bunting for Fiddle) Invocation, Timothy Roberts 2:15
- 17 Traditional: Tis Believed That This Harp "The Origin of the Harp" (Arr. Stevenson for 2 Voices, Bass & Harp) Invocation, Timothy Roberts 3:54
- 18 Traditional: Come, Rest in This Bosom (Arr. Stevenson for Soprano & Piano) Invocation, Timothy Roberts 2:41
- 19 Traditional: She Is Far from the Land (Arr. Stevenson for 3 Voices & Piano) Invocation, Timothy Roberts 3:5
- 20 Traditional: Come o'er the Sea (Arr. Stevenson for Bass Voice & Piano) Invocation, Timothy Roberts 1:35
- 21 Traditional: Tis the Last Rose of Summer (Arr. Stevenson for 4 Voices, Harp & Guitar) Invocation, Timothy Roberts 3:11
- 22 Traditional: Girls, Have You Seen George? (Arr. Bunting for Fiddle & Harp) Invocation, Timothy Roberts 1:19
- 23 Traditional: The Pretty Girl Milking the Cows (Arr. Bunting for Harp) Invocation, Timothy Roberts 1:14
- 24 Traditional: John, Heir of the Glen (Arr. Bunting for Fiddle, Harp & Square Piano) Invocation, Timothy Roberts 1:34
- 25 Traditional: Love in Secret (Arr. Bunting for Square Piano) Invocation, Timothy Roberts 1:27
- 26 Traditional: The Jointure (Arr. Bunting for Fiddle, Harp & Square Piano) Invocation, Timothy Roberts 2:50
- 27 Traditional: How Dear to Me the Hour (Arr. Stevenson for Tenor & Harp) Invocation, Timothy Roberts 2:58
- 28 Traditional: Fly Not Yet (Arr. Stevenson for 4 Voices, Piano & Guitar) Invocation, Timothy Roberts 1:32
- 29 Traditional: At the Mid Hour of Night (Arr. Stevenson for 4 Voices & Piano) Invocation, Timothy Roberts 2:30
- 30 Traditional: What the Bee Is to the Floweret (Arr. Stevenson for 2 Voices & Piano) Invocation, Timothy Roberts 1:35
- 31 Traditional: Fill the Bumper Fair! (Arr. Stevenson for 4 Voices, Fiddle, Harp, Piano & Guitar) Invocation, Timothy Roberts 2:40
