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Wagner: An Introduction to Der Ring des Nibelungen

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Other albums by Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker

Review

  1. # Track Artist Length
  2. 1 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 1. Of all great musical compositions (Ex.1-4) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:37
  3. 2 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 2. The fundamental symbol (Ex.5-11) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 4:47
  4. 3 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 3. Returning now to the Nature Motive (Ex.12-16) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:22
  5. 4 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 4. A number of further motives (Ex.17-21) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:18
  6. 5 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 5. A second, much smaller family (Ex.22-25) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:35
  7. 6 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 6. So much for nature (Ex.26-38) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 7:56
  8. 7 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 7. The cause of the deterioration (Ex.39-44) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:31
  9. 8 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 8. The other transformation (Ex.45-48) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:45
  10. 9 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 9. Several other motives (Ex.49-52) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:47
  11. 10 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 10. Two further motives (Ex.41,53-61) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 7:13
  12. 11 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 11. Basic motive associated with the spear (Ex.62/68) (Ex.62/8)(Ex.62/8) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 5:17
  13. 12 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 12. Along another, more complex line (Ex.69-72) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:12
  14. 13 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 13. In Act 2 of "Walküre" (Ex.69,73-75) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:22
  15. 14 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 14. Returning now to Act 2 of "Walküre (Ex.76-79) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:55
  16. 15 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 15. Love is another of the central symbols (Ex.80-83) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:6
  17. 16 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 16. Later in the same scene (Ex.84-87) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:23
  18. 17 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 17. Freia's motive has 2 independent segments (Ex.88-91 Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:2
  19. 18 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 18. The label "Flight" (Ex.92) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 0:56
  20. 19 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 19. When Fasolt, in Scene 2 of "Rhinegold" (Ex.93-8) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 5:24
  21. 20 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 20. A little later in this interlude (Ex.99-103) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:8
  22. 1 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 21. The other new motive (Ex.104-09) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:36
  23. 2 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 22. There are several independent love-motives (Ex.110- Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:56
  24. 3 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 23. The characters in whose lives (Ex.115-120) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 5:28
  25. 4 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 24. One further motive belongs (Ex.121) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 1:25
  26. 5 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 25. The sword motive recurs (Ex.122-130) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 4:28
  27. 6 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 26. Ironically, this phrase (Ex.131-5) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:59
  28. 7 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 27. Closely associated with Gutrune's motive (Ex.136-40 Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:27
  29. 8 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 28. Here we come to the end (Ex.141-6) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:43
  30. 9 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 29. Complementary to this symbol (Ex.147-9) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:14
  31. 10 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 30. One last central symbol (Ex.150-7) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 4:55
  32. 11 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 31. One further motive connected (Ex.158-61) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:52
  33. 12 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 32. There are one or two motives (Ex.162-8) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:48
  34. 13 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 33. These motives of Alberich & Mime (Ex.169-71) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:8
  35. 14 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 34. Quite a number of subsidiary motives (Ex.172-6) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:51
  36. 15 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 35. Besides this family of motives (Ex.177-80) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:31
  37. 16 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 36. Our final example (Ex.10,181-2) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 3:57
  38. 17 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 37. In the final scene of "Götterdämmerung" (Ex.181-3) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:45
  39. 18 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 38. Even more masterly (Ex.184-8) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 4:32
  40. 19 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 39. Now if we return (Ex.189-91) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 2:48
  41. 20 Wagner: Der Ring des Nibelungen - An Introduction by Deryck Cooke (with musical examples) - 40. This masterly way (Ex.192-3) Deryck Cooke, Sir Georg Solti, Wiener Philharmoniker 4:53

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